Skills/Services

Detail-oriented script supervisor with experience on seven short films, focused on maintaining continuity, accurate shot and take logs, and clear communication with directors, ADs, and editors. I track prop placement, eyelines, wardrobe, and performance beats, and I speak up when blocking or coverage may create issues in post. My organized notes and camera reports help reduce pick-ups, save editors time, and keep productions running smoothly. I use spreadsheet tools to track scene numbers, action beats, setups, and revisions, and I line scripts in advance to ensure all necessary coverage is captured.

I’m a director rooted in production work and continuity. Directing student shorts and developing Bird Flu taught me to focus on tone, performance, and clear visual planning, always thinking how scenes cut and how each department serves the story. As a 1st AD I turn creative ideas into efficient shoots. This cross-department experience helps me foresee problems, communicate clearly, and keep the set both artistically focused and practically disciplined.

A hands-on producer who handles both creative and operational work. On The Cosmic Idiot (f.k.a. Technoburger), I helped with promotional strategy, led a crowdfunding campaign that raised over $38,000, and coordinated communication among cast, crew, and partners. For Bird Flu, I managed budgeting, fundraising, marketing, contracts, and publicity to keep the project financially and logistically sound. With experience in social media and content creation, I build audience engagement and long-term visibility. I treat producing as both a creative and organizational role, balancing finance, communication, and team management to bring ideas to completion.

As an editor, I work primarily in Adobe Premiere, with additional experience in Photoshop and After Effects to refine visuals and enhance storytelling. I’ve edited my own short films and trailers, shaping pacing, performance, and tone from assembly through final cut. In my work with the YouTuber Evasive, I compile and organize large volumes of footage, source and integrate supporting clips, caption dialogue, key out frames, and balance audio levels to create clear and engaging videos. I approach editing with a strong sense of rhythm and continuity, ensuring that each project feels cohesive, intentional, and polished.

Began my work as a production assistant on student and independent short films and have since contributed to larger professional productions, including the HBO documentary It’s Never Over, Jeff Buckley and a television pilot directed by Peter Gould and executive produced by Rian Johnson. On set, I support departments through lockups, equipment movement, background coordination, and clear radio communication, helping maintain efficiency and focus throughout the day. Working across projects of different scales has strengthened my adaptability, professionalism, and understanding of set operations, allowing me to contribute effectively in both intimate indie environments and high-level productions.